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Lei-KolFine Art for Crypto

The collector’s art library

Painting studies · 46

Explore 1,200 paintings through museum context, material records and interactive scale studies. Notice what you respond to, then use those observations to describe the art you want in your own space.

The reference works belong to the Cleveland Museum of Art’s collection and are not offered for sale here. Records and images use the museum’s CC0 open-access release; there is no museum partnership. Sources and methodology.

Studies 1081–1104 of 1200

The Trinity

c. 1460 · France, Lyon

The Trinity

Laurent Girardin (French, 1478) · oil on wood

The Trinity

c. 1620 · Flanders

The Trinity

Hendrik van Balen (Flemish, 1575–1632) · oil on wood

The Troubadour

1868–73 · France, 19th century

The Troubadour

Honoré Daumier (French, 1808–1879) · oil on fabric

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night

Artist not recorded · gum tempera, ink, and gold on paper

The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night

Artist not recorded · gum tempera, ink, and gold on paper

The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night

Artist not recorded · gum tempera, ink, and gold on paper

The Virgin and Child Appearing to Saint Francis of Assisi

1680s · Italy

The Virgin and Child Appearing to Saint Francis of Assisi

Luca Giordano (Italian, 1634–1705) · oil on canvas

The Virgin Crowned by Angels

c. 1450 · Germany, Cologne

The Virgin Crowned by Angels

Stefan Lochner (German, 1400-c. 1452) · oil on wood

The Vision of Saint Jerome

c. 1660 · Italy

The Vision of Saint Jerome

Giovanni Battista Langetti (Italian, 1635–1676) · oil on canvas

The Waterfalls at Tivoli

1737 · France

The Waterfalls at Tivoli

Claude-Joseph Vernet (French, 1714–1789) · oil on canvas

The White Path Between Two Rivers

1200s · Japan, Kamakura period (1185–1333)

The White Path Between Two Rivers

Artist not recorded · hanging scroll; ink, color, gold, silver, and cut gold on silk

The wolf advises the lion to consult the cat, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The wolf advises the lion to consult the cat, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

Artist not recorded · gum tempera, ink, and gold on paper

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

Dasavanta (Indian, d. 1584) · gum tempera, ink, and gold on paper

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

Suraju (Indian) · gum tempera, ink, and gold on paper

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night

Artist not recorded · gum tempera, ink, and gold on paper

Thirty-Six Poetic Immortals

mid 1700s · Japan, Edo period (1615–1868)

Thirty-Six Poetic Immortals

Tatebayashi Kagei (Japanese, active mid-1700s) · two-fold screen; ink, color, and gold on paper

Thirty-Six Poetic Immortals of the Buddhist Clergy

late 1300s–1400s · Japan, Muromachi period (1392–1573)

Thirty-Six Poetic Immortals of the Buddhist Clergy

Artist not recorded · Fragment of a handscroll remounted as a hanging scroll; ink and slight color on paper

Three Horses and Four Grooms

c. 1320s · China, Yuan dynasty (1271–1368)

Three Horses and Four Grooms

Ren Renfa (Chinese, 1254–1328) · handscroll; ink and color on silk

Three Purities

1878 · China, Xiaxing, Qing dynasty (1644–1911)

Three Purities

Zhang Xiong (Chinese, 1803–1886) · hanging scroll; ink and color on paper

Tiered Court Scene

c. 1735 · Northern India, Delhi, Mughal court of Muhammad Shah (reigned 1719–48)

Tiered Court Scene

Chitarman II (Indian, c. 1680–с. 1750) · Gum tempera, ink, and gold on paper

Tiger Family

early 1800s · Japan, Edo period (1615–1868)

Tiger Family

Kishi Ganku (Japanese, 1749/56–1838) · Pair of six-panel folding screens; ink and color on paper

Tiger Family

late 1800s · Korea, Joseon dynasty (1392–1910)

Tiger Family

Artist not recorded · hanging scroll; ink and color on paper

Tiger Hunt of Raja Ram Singh II

c. 1830–40 · Northwestern India, Rajasthan, Rajput Kingdom of Kota

Tiger Hunt of Raja Ram Singh II

Artist not recorded · Gum tempera, gold, and silver on paper

Tiger in Wind

1800s · Japan, Edo period (1615–1868) to Meiji period (1868–1912)

Tiger in Wind

Maruyama Ōkyo (Japanese, 1733–1795) · hanging scroll; ink on paper

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