The collector’s art library

Painting studies · 3

Explore 1,200 paintings through museum context, material records and interactive scale studies. Notice what you respond to, then use those observations to describe the art you want in your own space.

The reference works belong to the Cleveland Museum of Art’s collection and are not offered for sale here. Records and images use the museum’s CC0 open-access release; there is no museum partnership. Sources and methodology.

Studies 49–72 of 1200

Collector research Paintings for sale

1640 · Netherlands

A Young Woman

Gerrit Dou (Dutch, 1613–1675) · oil on wood

1750s · Italy, 18th century

Abraham Welcoming the Three Angels

Francesco Guardi (Italian, 1712–1793) · oil on canvas

1890 · Netherlands

Adeline Ravoux

Vincent van Gogh (Dutch, 1853–1890) · oil on fabric

1500s · Italy

Adoration of the Magi

Titian (Italian, c. 1488–1576); Workshop · oil on canvas

1642 · Italy

Adoration of the Magi

Guido Reni (Italian, 1575–1642) · oil on canvas

c. 1650 · Italy

Adoration of the Shepherds

Bernardo Cavallino (Italian, 1616–1656) · oil on canvas

c. 1670 · Italy

Adoration of the Shepherds

Carlo Dolci (Italian, 1616–1687) · oil on canvas

c. 1510 · Germany

Adoration of the Shepherds

Hans Leonhard Schäufelein (German) · oil on wood

c. 1857 · France, 19th century

Aglaida and Boniface

Alexandre Cabanel (French, 1823–1889) · oil on canvas

1300s · Japan, Kamakura period (1185–1333) to Nanbokuchō period (1336–92)

Aizen Myōō

Artist not recorded · Hanging scroll; ink, color, and gold on silk

c. 1602–4 · Mughal India

Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind

Artist not recorded · gum tempera and gold on paper

c. 1602–3; borders added c. 1700s · Mughal India

Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551–1602)

Farukh Chela (Indian); Govardhan (Indian, active c.1596–1645); Dhanraj (Indian) · ink with use of colors and gold on paper, mounted on an album page with borders of gold-decorated buff and blue paper (recto); calligraphy by Faqir Ali (verso)