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Lei-KolFine Art for Crypto
The White Path Between Two Rivers — artist unrecorded
The Cleveland Museum of Art · Gift of The Norweb Foundation · CC0. Museum object record ↗

Painting study · Ink painting

The White Path Between Two Rivers1200s · Study 1955.44

Artist not recorded
1200s

Recorded as hanging scroll; ink, color, gold, silver, and cut gold on silk, this vertical work measures 50.8 × 124.7 cm using the museum’s painting dimensions. Explore the museum’s context and compare the format with a wall of your choice.

Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.

Context from the museum

This painting is a visual presentation of a teaching ascribed to the Chinese Buddhist monk Shandao (善導) (613–681). It describes a challenging journey to the land of the Buddha Amida along a narrow path between a river of fire and a river of water. The story is about escaping the six paths of reincarnation—the heavens and hells, as well as the realms of humans, animals, hungry ghosts, and fierce beings. The Buddha Amida appears at the top in his Pure Land, or Western Paradise.

Museum description reproduced from its CC0 open-access record. Read the original catalog entry.

A detail to notice

The Six Realms of Transmigration are the: heavenly realm, hells, human realm, animal realm, realm of hungry ghosts, and realm of fierce beings.

Observation supplied by the Cleveland Museum of Art.

Read the dimensions before the image

The selected painting measurement for The White Path Between Two Rivers is 50.8 cm wide and 124.7 cm high, equivalent to approximately 20.0 × 49.1 inches. Dividing width by height gives a format ratio of 0.41:1. The rectangular bounding area is 0.63 square meters; it describes the measured footprint, not the amount of paint or the monetary value.

On an illustrative 300 cm wall, the recorded width occupies 16.9% of the span before adding a frame. A centered placement leaves approximately 124.6 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.

Questions to bring to your own collection

With The White Path Between Two Rivers in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink, color, gold, silver, and cut gold on silk, in your notes when comparing contemporary works.

  • Which part of this vertical composition catches your eye first?
  • Would a 50.8 cm width still suit the space after allowing for furniture and a frame?
  • What surface detail would you need to see in person or in a close photograph?

Explore physical scale

How large would this format feel on your wall?

Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.

Proportional diagram of The White Path Between Two Rivers and the entered wall dimensions
16.9%of wall width, including allowance
50.8 × 124.7 cmmodeled outside dimensions
Within the entered wall dimensions124.6 cm each side when centered

Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.

Compare formats with the studio collection

These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.

Studio paintings compared by format
PaintingWidth × heightFormat ratioUSD catalog price
Cheesecake24 × 48 in0.50:1$1,099
Riptide24 × 48 in0.50:1$1,199
Graffiti30 × 48 in0.63:1$2,199

Availability and delivery costs must be confirmed for the individual order.

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