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Lei-KolFine Art for Crypto

The collector’s art library

Painting studies · 43

Explore 1,200 paintings through museum context, material records and interactive scale studies. Notice what you respond to, then use those observations to describe the art you want in your own space.

The reference works belong to the Cleveland Museum of Art’s collection and are not offered for sale here. Records and images use the museum’s CC0 open-access release; there is no museum partnership. Sources and methodology.

Studies 1009–1032 of 1200

The Holy Family with Mary Magdalen

c. 1590–95 · Spain

The Holy Family with Mary Magdalen

El Greco (Spanish, 1541–1614) · oil on canvas

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana (Indian, active c. 1560–1600) · gum tempera, ink, and gold on paper

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana (Indian, active c. 1560–1600) · gum tempera, ink, and gold on paper

The Immaculate Conception

c. 1680 · Spain

The Immaculate Conception

Bartolomé Esteban Murillo (Spanish, 1617–1682) · oil on canvas

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Artist not recorded · gum tempera, ink, and gold on paper

The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

Ghulam 'Ali (Indian, active 1550s-1590s) · gum tempera, ink, and gold on paper

The Kiss of Peace and Justice

1654 · France

The Kiss of Peace and Justice

Laurent de La Hyre (French, 1606–1656) · oil on canvas

The Knickknack Peddler

1212 · China, Southern Song dynasty (1127-1279)

The Knickknack Peddler

Li Song (Chinese, active c. 1190–c. 1230) · Album leaf; ink and color on silk

The Lantern Night Excursion of Zhong Kui

late 1200s–early 1300s · China, Yuan dynasty (1271–1368)

The Lantern Night Excursion of Zhong Kui

Yan Hui (Chinese, active 1270–1310) · handscroll; ink and slight color on silk

The Large Plane Trees (Road Menders at Saint-Rémy)

1889 · Netherlands

The Large Plane Trees (Road Menders at Saint-Rémy)

Vincent van Gogh (Dutch, 1853–1890) · oil on fabric

The Large Tree

1891 · France, 19th century

The Large Tree

Paul Gauguin (French, 1848–1903) · oil on canvas

The Life of Buckingham

c. 1855 · England, 19th century, Victorian

The Life of Buckingham

Augustus Leopold Egg (British, 1816-c. 1863) · oil on board

The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

c. 1560 · India, Mughal court, 16th century

The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

Artist not recorded · gum tempera, ink, and gold on paper

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra

c. 1450 · Western India, Gujarat

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra

Artist not recorded · Gum tempera, ink, and gold on paper

The Lock at Pontoise

1872 · France, 19th century

The Lock at Pontoise

Camille Pissarro (French, 1830–1903) · oil on fabric

The lovelorn heroine, from a Sat Sai of Bihari

1780–90 · Northern India, Pahari kingdoms

The lovelorn heroine, from a Sat Sai of Bihari

Artist not recorded · Gum tempera and gold on paper

The Lovers

1872 · France, 19th century

The Lovers

James Tissot (French, 1836–1902) · oil on canvas

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Artist not recorded · gum tempera, ink, and gold on paper

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Artist not recorded · gum tempera, ink, and gold on paper

The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana

c. 1525–40 · Northern India

The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana

Artist not recorded · Gum tempera and ink on paper

The Mass of Saint Gregory

1511 · Germany, Strassburg, 16th century

The Mass of Saint Gregory

Hans Baldung (German, 1484/85–1545) · oil and tempera on wood

The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night

Artist not recorded · gum tempera, ink, and gold on paper

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Artist not recorded · gum tempera, ink, and gold on paper

The Miracles of Saint James the Greater

1726 · France

The Miracles of Saint James the Greater

Noël Nicolas Coypel (French, 1690–1734) · oil on canvas

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