The collector’s art library
Painting studies · 15
Explore 1,200 paintings through museum context, material records and interactive scale studies. Notice what you respond to, then use those observations to describe the art you want in your own space.
The reference works belong to the Cleveland Museum of Art’s collection and are not offered for sale here. Records and images use the museum’s CC0 open-access release; there is no museum partnership. Sources and methodology.
Studies 337–360 of 1200

c. 1260s, mounted 2020 · Central Tibet
Green Tara
Aniko (Nepalese, active in Tibet mid- to late 1200s) · thangka; gum tempera, ink, and gold on sized cotton; mount: silk

1600 · China, Ming dynasty (1368–1644)
Greeting the Spring
Wu Bin (Chinese, active c. 1591–1626) · handscroll; ink and light color on paper

c. 1600 · Mughal India
Grotesque Dancers Performing
Artist not recorded · gum tempera, ink, and gold on paper

c. 1750 · Northwestern India, Rajasthan, Jaipur
Gunakali Ragini
Artist not recorded · Gum tempera and gold on paper

c. 1510 · Japan, Muromachi period (1392–1573)
Haboku (Flung-ink) Landscape
Shūgetsu Tōkan (Japanese, 1440?–1529) · hanging scroll; ink on paper

1760 · America
Hannah Wentworth Atkinson
Joseph Blackburn (British, c. 1730–1787) · oil on canvas

c. 1745–76 · Japan, Edo period (1615–1868)
Hanshan and Shide
Ike Taiga (Japanese, 1723–1776) · hanging scroll; ink and light color on paper

c. 1700–25 · Northern India, Pahari kingdoms, Himachal Pradesh
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana
Artist not recorded · Gum tempera and ink on paper

c. 1890 · Eastern India, Bengal, Kolkata, Kalighat
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album
Artist not recorded · Gum tempera, graphite, ink, and tin on paper

late 1700s · Japan, Edo period (1615–1868)
Happy Forest, from Water Margin
Matsumura Goshun (Japanese, 1752–1811); Amenomori Shōteki (Japanese, 1731–1786) · hanging scroll; ink and color on paper

c. 1846–1847 · America
Harbor of Boston, with the City in the Distance
Fitz Henry Lane (American, 1804–1865) · oil on canvas

mid-1600s · Italy, possibly Genoa
Hare, Spoonbill, and Fish
Artist not recorded · oil on canvas

c. 1550–1650 · Spain or Northern Italy, mid 16th - mid 17th century
Head of Saint John the Baptist
Artist not recorded · oil on canvas

c. 1850 · France, 19th century
Heaven and Hell
Octave Tassaert (French, 1800–1874) · oil on fabric

1368–1644 · China, Ming dynasty (1368–1644)
Heavenly King Virudhaka
Artist not recorded · hanging scroll; color on silk

c. 1890 · America
Hebe
Abbott Handerson Thayer (American, 1849–1921) · oil on canvas

1871–89 · Japan, Meiji period (1868–1912)
Hell Courtesan
Kawanabe Kyōsai (Japanese, 1831–1889) · Hanging scroll; ink, color, gold, and silver on silk

1685 · China, Qing dynasty (1644-1911)
Herbaceous Peony
Yun Shouping (Chinese, 1633–1690) · Hanging scroll; ink and color on silk

1200s · China, Qixian, Yuan dynasty (1271-1368)
Herdboys and Buffalo in Landscape
Guo Min (Chinese, mid-late 1200s) · Hanging scroll; ink on silk

1200s · China, Qixian, Yuan dynasty (1271-1368)
Herdboys and Buffalo in Landscapes
Guo Min (Chinese, mid-late 1200s) · Pair of hanging scrolls; ink on silk

c. 1661 · Netherlands
Herengracht, Amsterdam
Jan Wijnants (Dutch, 1635–1684) · oil on canvas

c. 1670 · Netherlands
Hermes Ordering Calypso to Release Odysseus
Gerard de Lairesse (Flemish, 1641–1711) · oil on canvas

c. 1710–20 · Northern India, Pahari kingdoms
Heroine with attendant and a pair of deer
Artist not recorded · gum tempera on paper

late 1700s · Japan, Edo period (1615–1868)
Heron on a Willow Branch
Maruyama Ōkyo (Japanese, 1733–1795) · Two-panel folding screen; ink, color, lacquer, and gold on silk