
Painting study · Ink painting
The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560 · Study 1962.279.35.a
Basavana (Indian, active c. 1560–1600)
c. 1560
Recorded as gum tempera, ink, and gold on paper, this near-square work measures 10.2 × 10.6 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Despite the chess-playing monkey’s grim end, the baby parrots continued to cavort with the fox cubs. One day the mother fox discovered that her cubs had been eaten by a panther. Blaming the parrots, she lured a hunter to their tree. The hunter climbed the tree and ensnared the mother parrot and her babies. The mother instructed her young to play dead, then pleaded with the hunter to take her alone, saying that since she knew the art of healing she would fetch a high price. Lush vegetation and a stream of water painted with a soft brush indicate a fresh new stylistic vision that represents a departure from Indian and Persian styles that came before.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The pink leaves are new shoots that have not yet turned green.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night is 10.2 cm wide and 10.6 cm high, equivalent to approximately 4.0 × 4.2 inches. Dividing width by height gives a format ratio of 0.96:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.4% of the span before adding a frame. A centered placement leaves approximately 144.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this near-square composition catches your eye first?
- Would a 10.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blue Denim | 48 × 48 in | 1.00:1 | $1,699 |
| Mushrooms | 48 × 48 in | 1.00:1 | $2,399 |
| Stardust | 48 × 48 in | 1.00:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1596 · Mughal India, court of Akbar (reigned 1556–1605)
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)
Basavana (Indian, active c. 1560–1600); Sur Das Gujarati (Indian, active 16th century) · Gum tempera, ink, and gold on paper

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Basavana (Indian, active c. 1560–1600) · gum tempera, ink, and gold on paper

c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
Basavana (Indian, active c. 1560–1600) · gum tempera, ink, and gold on paper

c. 1600 · Mughal India, court of Akbar (reigned 1556–1605)
Jain Ascetic Walking Along a Riverbank
Basavana (Indian, active c. 1560–1600) · gum tempera, ink, and gold on paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗