
Painting study · Ink painting
The Four Accomplishmentslate 1500s–early 1600s · Study 1979.46.1
Kano Shōei (Japanese, 1519–1592)
late 1500s–early 1600s
Recorded as One of a pair of six-panel folding screens; ink and slight color on paper, this horizontal work measures 358.6 × 153 cm using the museum’s painting dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
This is one of a pair of screens that shows a group of elite Chinese gentlemen and their servants in the countryside. One man looks on as two of his companions play a board game. Nearby is a table set with a selection of books and a qin , a type of stringed instrument, still wrapped in its cloth case, waiting to be played. The mood is one of enjoyment balanced with formality. Historically, playing the qin or qi (a game similar to chess called go in Japan), and practicing or admiring calligraphy were considered three skills essential for cultured men in China.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
One of the servants is diverted by the motion of a fish in the water.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting measurement for The Four Accomplishments is 358.6 cm wide and 153 cm high, equivalent to approximately 141.2 × 60.2 inches. Dividing width by height gives a format ratio of 2.34:1. The rectangular bounding area is 5.49 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 119.5% of the span before adding a frame. That exceeds the example wall width, so a smaller reference wall would not reproduce the recorded scale. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The Four Accomplishments in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, One of a pair of six-panel folding screens; ink and slight color on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 358.6 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

late 1500s · Japan, Momoyama period (1573–1615)
Birds and Flowers
Kano Mitsunobu (Japanese, 1565–1608); Kano Shōei (Japanese, 1519–1592) · Pair of six-panel folding screens; ink, color, and gold on paper

late 1500s–early 1600s · Japan, Momoyama period (1573–1615)
The Four Accomplishments
Kano Shōei (Japanese, 1519–1592) · pair of six-panel folding screens; ink and slight color on paper

late 1500s–early 1600s · Japan, Momoyama period (1573–1615)
Landscape with Motifs from the Eight Views of Xiao-Xiang
Artist not recorded · One of a pair of six-panel folding screens; ink on paper

c. 1600 · Japan, Momoyama period (1573–1615)
Arrival of the "Southern Barbarians"
Artist not recorded · Pair of six-panel folding screens; ink, color, and gold on paper
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