Painting study · Ink painting
Arrival of the "Southern Barbarians"c. 1600 · Study 1960.193
Artist not recorded
c. 1600
Recorded as Pair of six-panel folding screens; ink, color, and gold on paper, this horizontal work measures 337.2 × 146.7 cm using the museum’s overall dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
These screens show European merchants arriving in Japan. Almost certainly the persons represented are Portuguese, since they are accompanied by Roman Catholic priests. Early in the 1600s the Portuguese were forced out of Japan, chiefly because of internal difficulties caused by their missionaries. Later, between 1641 and 1853, the Dutch were the only Europeans permitted to trade with Japan but their presence was restricted to a port town in far western Japan, near present-day Nagasaki.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Europeans were called "Southern Barbarians" because their ships arrived in Japan from the south.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected overall measurement for Arrival of the "Southern Barbarians" is 337.2 cm wide and 146.7 cm high, equivalent to approximately 132.8 × 57.8 inches. Dividing width by height gives a format ratio of 2.30:1. The rectangular bounding area is 4.95 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 112.4% of the span before adding a frame. That exceeds the example wall width, so a smaller reference wall would not reproduce the recorded scale. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Arrival of the "Southern Barbarians" in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Pair of six-panel folding screens; ink, color, and gold on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 337.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
late 1500s–early 1600s · Japan, Momoyama period (1573–1615)
Landscape with Motifs from the Eight Views of Xiao-Xiang
Artist not recorded · One of a pair of six-panel folding screens; ink on paper
late 1500s · Japan, Momoyama period (1573–1615)
Birds and Flowers
Kano Mitsunobu (Japanese, 1565–1608); Kano Shōei (Japanese, 1519–1592) · Pair of six-panel folding screens; ink, color, and gold on paper
c. 1600 · Japan, Momoyama period (1573–1615)
Arrival of the "Southern Barbarians"
Artist not recorded · One of a pair of six-panel folding screens; ink, color, and gold on paper
late 1500s–early 1600s · Japan, Momoyama period (1573–1615)
The Four Accomplishments
Kano Shōei (Japanese, 1519–1592) · pair of six-panel folding screens; ink and slight color on paper
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