Painting study · Ink painting
Hunting with falcons in a landscape (recto)c. 1558–60; borders added probably 1700s · Study 2013.292.a
Abd al-Samad (Persian, c. 1510–1600)
c. 1558–60; borders added probably 1700s
Recorded as Gum tempera, ink, and gold on paper, this vertical work measures 13 × 21.5 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Mughal princes hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey from the brush. Then, its hood removed, the falcon would chase the prey and bring it down. This important work is thought to have been painted by one of the Persian artists Akbar’s father brought to India from Iran shortly after his arrival in India. The delicacy of the diminutive figures and the gently modeled rocks of the arid landscape contrast to the boldly dynamic paintings made by Indian artists.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The hunter’s glove is on the ground, as he pulls his falcon off the duck.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Hunting with falcons in a landscape (recto) is 13 cm wide and 21.5 cm high, equivalent to approximately 5.1 × 8.5 inches. Dividing width by height gives a format ratio of 0.60:1. The rectangular bounding area is 0.03 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 4.3% of the span before adding a frame. A centered placement leaves approximately 143.5 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Hunting with falcons in a landscape (recto) in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 13 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
c. 1558–60; borders added probably 1700s · Mughal India, court of Akbar (reigned 1556–1605)
Hunting with falcons in a landscape; verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s)
Abd al-Samad (Persian, c. 1510–1600) · Gum tempera, ink, and gold on paper
c. 1596 · Mughal India, court of Akbar (reigned 1556–1605)
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)
Basavana (Indian, active c. 1560–1600); Sur Das Gujarati (Indian, active 16th century) · Gum tempera, ink, and gold on paper
c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)
The wolf advises the lion to consult the cat, from a Tuti-nama (Tales of a Parrot): Fifteenth Night
Artist not recorded · gum tempera, ink, and gold on paper
c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)
The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)
Artist not recorded · gum tempera, ink, and gold on paper
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