
Painting study · Ink painting
The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)c. 1560 · Study 1962.279.130.b
Artist not recorded
c. 1560
Recorded as gum tempera, ink, and gold on paper, this horizontal work measures 10.2 × 7.9 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
When like a red-turbaned king the sun disappeared under the canopy in the west and like a silver-robed monarch the moon appeared on the throne in the east, Khujasta went to ask Tuti’s permission to leave. The parrot replied that his mistress Khujasta should devote herself to her obligations of propriety, just like the three extraordinary companions of the prince. Her interest piqued, Khujasta asked Tuti to tell her about them. He then launched into a story about the benefits of loyalty and generosity that lasted all night.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The medallion pattern of Khujasta’s skirt is a convention of an earlier painting style
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot) is 10.2 cm wide and 7.9 cm high, equivalent to approximately 4.0 × 3.1 inches. Dividing width by height gives a format ratio of 1.29:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.4% of the span before adding a frame. A centered placement leaves approximately 144.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot) in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 10.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
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c. 1560 · Mughal India, court of Akbar (reigned 1556–1605)
Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
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