Painting study · Ink painting
The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Nightc. 1560 · Study 1962.279.27.a
Artist not recorded
c. 1560
Recorded as gum tempera, ink, and gold on paper, this horizontal work measures 10.6 × 3.8 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Upon his departure, a warrior’s wife gives him roses that stay fresh as long as she remains faithful in his absence. This story reveals a connection between virtue and nature: the flowers remain fresh because of her loyalty. The stories in the Tuti-nama reveal the interconnectedness of Indian, Persian, and Central Asian populations. The Persian retellings of Sanskrit tales found in this manuscript were completed in 1330 by the learned Central Asian Sufi author Ziya’ al-din Nakshabi working in Delhi, the capital of India. Indian and Persian artists worked together to illustrate this copy for the Mughal emperor Akbar.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
This work is attributed to the same unnamed artist who painted folio 45r ( CMA 1962.279.45.a ).
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Night is 10.6 cm wide and 3.8 cm high, equivalent to approximately 4.2 × 1.5 inches. Dividing width by height gives a format ratio of 2.79:1. The rectangular bounding area is 0.00 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.5% of the span before adding a frame. A centered placement leaves approximately 144.7 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Night in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 10.6 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
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Basavana (Indian, active c. 1560–1600); Sur Das Gujarati (Indian, active 16th century) · Gum tempera, ink, and gold on paper
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Artist not recorded · gum tempera, ink, and gold on paper
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The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Artist not recorded · gum tempera, ink, and gold on paper
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