Painting study · Ink painting
The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Nightc. 1560 · Study 1962.279.183.b
Artist not recorded
c. 1560
Recorded as gum tempera, ink, and gold on paper, this horizontal work measures 10.2 × 9.5 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Cave compositions were replicated for multiple types of scenes in India, based on Persian models like the Shah-nama painting CMA 1988.96.a . The black background of the caves in the Tuti-nama provides the viewer a window into a subterranean space, the mouth of which is shown amid the rocks above. Shapur, the exiled frog tyrant, asked a snake to devour his enemies. However, when the snake became hungry again, he ate Shapur’s friends and family. Without any subjects to rule, the frog escaped his dangerous ally and lived out his life, sad and alone.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The story takes place in China.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night is 10.2 cm wide and 9.5 cm high, equivalent to approximately 4.0 × 3.7 inches. Dividing width by height gives a format ratio of 1.07:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.4% of the span before adding a frame. A centered placement leaves approximately 144.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 10.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blue Denim | 48 × 48 in | 1.00:1 | $1,699 |
| Mushrooms | 48 × 48 in | 1.00:1 | $2,399 |
| Stardust | 48 × 48 in | 1.00:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
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Basavana (Indian, active c. 1560–1600); Sur Das Gujarati (Indian, active 16th century) · Gum tempera, ink, and gold on paper
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