
Painting study · Oil painting
The Nativityc. 1457 · Study 1953.660.2
Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70)
c. 1457
Recorded as oil, tempera, and gold on wood panel (fir), this vertical work measures 124.4 × 172.7 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
This painting is believed to be a remaining component of a six-panel altarpiece. The large central panel is now preserved in the Museu National d’Art de Catalunya in Barcelona. Ferrer collaborated with the painter Pere Garcia de Benavarri on this commission. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia ) in the haloes. As a symbol of his dominion over the world, Christ holds an orb in his left hand; he bestows a blessing with his right hand. The Virgin kneels above him in rapt adoration. Using the wattle fence almost as a church pew, two shepherds express humble piety; one removes his hat and the other clasps his hands in prayer.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected unframed measurement for The Nativity is 124.4 cm wide and 172.7 cm high, equivalent to approximately 49.0 × 68.0 inches. Dividing width by height gives a format ratio of 0.72:1. The rectangular bounding area is 2.15 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 41.5% of the span before adding a frame. A centered placement leaves approximately 87.8 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The Nativity in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil, tempera, and gold on wood panel (fir), in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 124.4 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1457 · Spain, Catalonia, 15th century
The Annunciation and The Nativity
Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70) · oil, tempera, and gold on wood panel (fir)

c. 1457 · Spain, Catalonia, 15th century
The Annunciation
Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70) · oil, tempera, and gold on wood panel (fir)

1902 · France, 20th century
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