
Painting study · Ink painting
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Nightc. 1560 · Study 1962.279.46.a
Artist not recorded
c. 1560
Recorded as gum tempera, ink, and gold on paper, this vertical work measures 9.9 × 13.3 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
The vizier advised the king that he should tell the dervish that he must bring the head of the King of Kings before he will give his daughter in marriage to him. The dervish then went to the King of Kings with his plight, who said that he would go himself to the local king, and bring him his head still attached to his body. At the bottom of the composition is a formal garden with leafy groundcover and canals of water. The composition has been altered, as there was an oval of gold beneath the central pool of water and orange tiles under the architectural pavilions on the roof. The strip of blue with delicate floral arabesque was added in accordance with a taste for more updated Persian styles.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
This painting was likely done by the same artist who made folios 20r (1962.279.20.a), 30r (1962.279.30.a), and 46v (1962.279.46.b).
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night is 9.9 cm wide and 13.3 cm high, equivalent to approximately 3.9 × 5.2 inches. Dividing width by height gives a format ratio of 0.74:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.3% of the span before adding a frame. A centered placement leaves approximately 145.1 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 9.9 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
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