Painting study · Ink painting
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Nightc. 1560 · Study 1962.279.291.b
Artist not recorded
c. 1560
Recorded as gum tempera, ink, and gold on paper, this vertical work measures 10.1 × 15.9 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
When out hunting, the formidable raja of Ujjain captured a fantastic animal and brought it back to his court. It is described as being so soft that the fur of his body “made the back of the sable seem as hard as stone and the smoothness of whose coat made the fur of the ermine feel like the anvil of a blacksmith.” In devising this wondrous creature’s appearance, the artist gave him cloven hoofs, a beak, and horns, as though inspired by European images of griffins, but with soft-looking fur.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The artist of this folio attempted to make the windows on the back wall appear three dimensional.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night is 10.1 cm wide and 15.9 cm high, equivalent to approximately 4.0 × 6.3 inches. Dividing width by height gives a format ratio of 0.64:1. The rectangular bounding area is 0.02 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.4% of the span before adding a frame. A centered placement leaves approximately 144.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 10.1 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
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