
Painting study · Oil painting
Saints Presenting a Devout Woman to the Virgin and Child1720s · Study 1982.36
Giovanni Battista Pittoni (Italian, 1687–1767)
1720s
Recorded as oil on canvas, this vertical work measures 135.5 × 172 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
A devout woman, shown at lower right, is presented by saints and an angel to the central Virgin and Child. In clockwise order from her is Saint Lucy, identified by the cauldron and sword at her feet; Saint Agnes, by the lamb; Saint Scholastica, by the dove she holds; and Saint Benedict, characterized by his crozier and Benedictine habit. Slightly below the central Madonna is Saint Veronica, whose head is covered. Behind Saint Veronica, Saint Anthony of Padua, wearing a Franciscan habit and holding a lily stalk, stands in a pose of adoration. Below Saint Anthony and next to the woman is an angel. The identity of the woman is uncertain, but she may be the painting's patron. Pittoni uses dramatic gestures and elegant drapery, while the soft treatment of light and rich colors reflect Pittoni's study of French Rococo art during his stay in France in 1720. In the crowded composition, Pittoni has emphasized the importance of the religious event. His experimentation with composition is evident in the legs of Saint Agnes's lamb; as the painting has aged, a third front leg that Pittoni had painted over has become visible.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected unframed measurement for Saints Presenting a Devout Woman to the Virgin and Child is 135.5 cm wide and 172 cm high, equivalent to approximately 53.3 × 67.7 inches. Dividing width by height gives a format ratio of 0.79:1. The rectangular bounding area is 2.33 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 45.2% of the span before adding a frame. A centered placement leaves approximately 82.3 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Saints Presenting a Devout Woman to the Virgin and Child in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on canvas, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 135.5 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1750s · Italy, 18th century
Sketch for a Ceiling
Giovanni Battista Tiepolo (Italian, 1696–1770) · oil on canvas

mid 1700s · Italy, 18th century
Christ and the Woman Taken in Adultery
Sebastiano Ricci (Italian, 1659–1734) · oil on canvas

1700s · Italy, 18th century
Two Putti
Artist not recorded · oil on canvas

c. 1725–35 · Italy, 18th century
Interior of a Synagogue
Alessandro Magnasco (Italian, 1667–1749) · oil on canvas
Ready to describe what you want in your own space?
Start an artwork inquiry ↗