
Painting study · Oil painting
Portrait of Mrs. Lenevec. 1657 · Study 1942.247
Peter Lely (British, 1618–1680)
c. 1657
Recorded as oil on canvas, this vertical work measures 101.3 × 126.7 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
This woman’s heavily lidded eyes, fleshy chin, and slender fingers conform to 17th-century ideals of beauty, but when the museum acquired this painting in 1942, her features had been extensively overpainted to bring her more in line with modern standards of beauty. This later intervention included lowering the sitter’s eyebrows, reducing her prominent eyes and lips, and adding curls to make her forehead appear smaller. Mrs. Leneve now appears as the fashionable artist Peter Lely originally intended.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Long, slender fingers signified aristocratic elegance when this portrait was painted.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected unframed measurement for Portrait of Mrs. Leneve is 101.3 cm wide and 126.7 cm high, equivalent to approximately 39.9 × 49.9 inches. Dividing width by height gives a format ratio of 0.80:1. The rectangular bounding area is 1.28 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 33.8% of the span before adding a frame. A centered placement leaves approximately 99.3 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Portrait of Mrs. Leneve in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on canvas, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 101.3 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1619 · England, 17th century
Portrait of a Woman, possibly Elizabeth Boothby
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1902 · France, 20th century
Fishmarket
Camille Pissarro (French, 1830–1903) · oil on canvas

1891 · France
Procession or Pardon at Perros-Guirec
Maurice Denis (French, 1870–1943) · oil on canvas

1899 · France, 19th century
Luncheon (Annette and Her Grandmother)
Édouard Vuillard (French, 1868–1940) · oil on board
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