
Painting study · Ink painting
Gibbons in a Landscapeearly 1900s · Study 1996.256
Artist not recorded
early 1900s
Recorded as Six-panel folding screen; ink and color on hemp, this horizontal work measures 393.7 × 104.8 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
In this folding screen, gibbons playfully interact with each other. In Korean paintings, gibbons were less frequently depicted than in their Chinese and Japanese counterparts. However, they became popular toward the end of the 1800s, possibly due to an influx of Chinese and Japanese decorative arts. Gibbons symbolize good fortune, but as paired with the red autumn foliage, specifically refer to professional success, such as passing the government examination and getting promoted to a higher position. The large ripe peach held by one gibbon bears another symbolic meaning: prosperity and longevity.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Gibbons were often presented to the Joseon royal court as diplomatic gifts from the Japanese government.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Gibbons in a Landscape is 393.7 cm wide and 104.8 cm high, equivalent to approximately 155.0 × 41.3 inches. Dividing width by height gives a format ratio of 3.76:1. The rectangular bounding area is 4.13 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 131.2% of the span before adding a frame. That exceeds the example wall width, so a smaller reference wall would not reproduce the recorded scale. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Gibbons in a Landscape in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Six-panel folding screen; ink and color on hemp, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 393.7 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
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early 1800s · Korea, Joseon dynasty (1392–1910)
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Choe Seok-hwan (Korean, active first half of 19th century) · eight-panel folding screen; ink on paper

early 1500s · Korea, Joseon dynasty (1392–1910)
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Artist not recorded · Hanging scroll; ink on silk
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