
Painting study · Ink painting
Boats at Anchor on West Lake at the City Gate1150–1200 · Study 1978.68
Artist not recorded
1150–1200
Recorded as Album leaf; ink and color on silk, this vertical work measures 19.2 × 25.3 cm using the museum’s image dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Highlighted with a few bright accents, this fan painting conveys a nightly atmosphere with boats anchoring on West Lake at the foot of the city walls. Willow trees line the embankment, and the moon appears above the mountains. While the city is asleep, a figure wearing red inside a boat holds what appears to be a pipa (plucked stringed instrument), while a blue-robed gentleman nearby gazes toward the sound of music, evoking an association with Song of the Lute ( Pipa xing ) by Tang poet Bai Juyi (772–846) which tells the story of a romantic encounter on the Yangzi River.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The depiction of the female figure playing the pipa and the scholarly male evokes an association with a romantic encounter narrated in a well-known Tang dynasty poem.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected image measurement for Boats at Anchor on West Lake at the City Gate is 19.2 cm wide and 25.3 cm high, equivalent to approximately 7.6 × 10.0 inches. Dividing width by height gives a format ratio of 0.76:1. The rectangular bounding area is 0.05 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 6.4% of the span before adding a frame. A centered placement leaves approximately 140.4 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Boats at Anchor on West Lake at the City Gate in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Album leaf; ink and color on silk, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 19.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

mid-1200s · China, Southern Song dynasty (1127-1279)
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Ma Lin (Chinese, c. 1185–after 1260) · Album leaf; ink and slight color on silk

c. 1250–79 · China, Southern Song dynasty (1127-1279)
Dragon; Tiger
Fachang Muqi (Chinese, 1220–1280) · Pair of hanging scrolls; ink on silk

1145 · China, Southern Song dynasty (1127-1279)
Man, Buffalo, and Calf
Li You (Chinese, active c. 1145) · album leaf; ink and color on silk

1100s–1200s · China, Southern Song dynasty (1127-1279)
One Hundred Children at Play
Su Hanchen (Chinese, active c. 1101–1125); Wang Juzhen (Chinese) · Album leaf; ink and color on silk
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