Painting study · Ink painting
A holy man prostrating himself before a learned princec. 1585; border added probably 1700s · Study 2013.297
Manohar (Indian, active late 1500s)
c. 1585; border added probably 1700s
Recorded as ink on paper, laid down with borders of gold-decorated blue paper, this vertical work measures 8.3 × 14.5 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Manohar riffs on the work of his father, Basavana, by showing a holy man bowing at the feet of a prince, instead of another holy man. Those who could recognize the relationship between this work and that of his father ( CMA 2013.296 ) would impress gatherings of courtly connoisseurs, who prided themselves on being able to identify the hand of individual artists just by looking at the paintings. Recitation of poetry would accompany the viewing of paintings and drawings. Virtuoso artists reflected glory on their patrons. As an Islamic ruler, Akbar and his court participated in these activities—a new purpose for art that Indian artists had to learn.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected painting only measurement for A holy man prostrating himself before a learned prince is 8.3 cm wide and 14.5 cm high, equivalent to approximately 3.3 × 5.7 inches. Dividing width by height gives a format ratio of 0.57:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 2.8% of the span before adding a frame. A centered placement leaves approximately 145.8 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With A holy man prostrating himself before a learned prince in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, ink on paper, laid down with borders of gold-decorated blue paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 8.3 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
Availability and delivery costs must be confirmed for the individual order.
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