
Painting study · Ink painting
The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge1454 · Study 1973.70.1
Artist not recorded
1454
Recorded as hanging scroll; ink and color on silk, this vertical work measures 79.3 × 140.8 cm using the museum’s painting dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
This painting represents bodhisattvas of the 10 stages of enlightenment undergoing the final processes toward Buddhahood. This and CMA 1973.70.2 form part of a set of scrolls that were used to perform the Water-Land ( shuilu ) ritual. The sinuous curves of scarf and drapery, the layering of garments, and the minute detail all reflect the opulent visual atmosphere that surrounded the Ming worshipper in temples and spirit halls throughout the country. In the upper right corner of each painting is an imperial seal and an inscription in gold: Donated on the third day of the eighth month in the fifth year of the Jingtai reign (1454) of the Great Ming . Written in ink in the lower left corner is the record that they were made on imperial order, probably to present them to the Da Longfu monastery in Beijing.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
This painting was used in the grandest of the Buddhist mortuary rites, the Water-Land ( shuilu ) ritual, which was conducted for the salvation of “all souls of the dead on land and sea.”
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting measurement for The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge is 79.3 cm wide and 140.8 cm high, equivalent to approximately 31.2 × 55.4 inches. Dividing width by height gives a format ratio of 0.56:1. The rectangular bounding area is 1.12 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 26.4% of the span before adding a frame. A centered placement leaves approximately 110.3 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink and color on silk, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 79.3 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1508 · China, Ming dynasty (1368–1644)
Children at Play
Xia Kui (Chinese, active c. 1405–1445) · hanging scroll; ink and color on silk

1368–1644 · China, Ming dynasty (1368–1644)
Landscape
Artist not recorded · handscroll; ink and slight color on silk

mid-1400s · China, Ming dynasty (1368–1644)
The Haven of the Peach-Blossom Spring
Shi Rui (Chinese, c. 1400-c. 1470) · Album leaf; ink and slight color on silk

1500s · China, Ming dynasty (1368–1644)
Saying Farewell at Xunyang (Song of the Pipa)
Wen Boren (Chinese, 1502–1575) · handscroll; ink and color on paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗