
Painting study · Ink painting
Su Dongpo1788 · Study 1985.71.6
Min Zhen (Chinese, 1730–after 1788)
1788
Recorded as album leaf, ink on paper, this vertical work measures 18.4 × 29 cm using the museum’s sheet dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Min Zhen, who was orphaned at age 12 and developed an eccentric personality, was trained by Tang Yin (1682–1756), a writer, playwright, and superintendent of the imperial porcelain workshops in Jingdezhen. The connection to him may have enabled Min to stay in Beijing for a decade from around 1773. It is not clear whether he ever resided in Yangzhou, but his style is in many instances reminiscent of that of Yangzhou artist Huang Shen. This album demonstrates Min’s versatility and mature style in the last years of his life.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Su Dongpo 蘇東坡 (1037–1101) is the likely model, but the gentleman is holding an incense burner instead of an ink stone more commonly associated with the famed poet.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected sheet measurement for Su Dongpo is 18.4 cm wide and 29 cm high, equivalent to approximately 7.2 × 11.4 inches. Dividing width by height gives a format ratio of 0.63:1. The rectangular bounding area is 0.05 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 6.1% of the span before adding a frame. A centered placement leaves approximately 140.8 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Su Dongpo in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, album leaf, ink on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 18.4 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1788 · China, Qing dynasty (1644-1911)
Elephant, Horse, and Hare
Min Zhen (Chinese, 1730–after 1788) · album leaf, ink on paper

1788 · China, Qing dynasty (1644-1911)
Cat and Butterfly
Min Zhen (Chinese, 1730–after 1788) · album leaf, ink on paper

1668 · China, Qing dynasty (1644-1911)
Album of Seasonal Landscapes, Leaf D (previous leaf 2)
Xiao Yuncong (Chinese, 1596–1673) · album leaf; ink and light color on paper

1684 · China, Qing dynasty (1644-1911)
Album of Seasonal Landscapes
Zha Shibiao (Chinese, 1615–1698) · Album of twelve leaves; ink or ink and light color on paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗