
Painting study · Ink painting
Streams and Mountains without End1100–1150 · Study 1953.126
Artist not recorded
1100–1150
Recorded as handscroll; ink and slight color on silk, this horizontal work measures 213 × 35.1 cm using the museum’s image dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Streams and Mountains without End was a landmark acquisition of 1953, made just a year after Sherman Lee had returned to Cleveland as curator of Oriental art. He acquired it with the intention to provide "a more than adequate foundation for a fine collection of Chinese landscape painting." This impressive work demonstrates the culmination of stylistic developments in Chinese monumental landscape painting following the Northern Song tradition. It represents a journey through a landscape, making it a fitting metaphor for Lee’s journey of discovery and achievement over a lifetime.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The portrayal of the distant lands is rich with details like pavilions, villages, and human activities.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected image measurement for Streams and Mountains without End is 213 cm wide and 35.1 cm high, equivalent to approximately 83.9 × 13.8 inches. Dividing width by height gives a format ratio of 6.07:1. The rectangular bounding area is 0.75 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 71.0% of the span before adding a frame. A centered placement leaves approximately 43.5 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Streams and Mountains without End in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, handscroll; ink and slight color on silk, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 213 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1314–17 · Japan, Kamakura period (1185–1333)
Reeds and Geese
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) · hanging scroll; ink on paper

late 1400s · Japan, Muromachi period (1392–1573)
Chinese Literatus in an Autumn Landscape
Josui Sōen (Japanese, active c. 1489–1500) · hanging scroll; ink on paper

1500s · Japan, Muromachi period (1392–1573)
Landscape
Narihide (Japanese, active 1500s) · hanging scroll; ink on paper

1600s · Japan, Edo period (1615–1868)
Gibbons Reaching for the Moon
Kano Tan’yū (Japanese, 1602–1674) · Hanging scroll; ink and light color on silk
Ready to describe what you want in your own space?
Start an artwork inquiry ↗