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Lei-KolFine Art for Crypto
Stand-in Fugen — Kitao Masayoshi (Japanese, 1761–1824)
The Cleveland Museum of Art · The Kelvin Smith Collection, given by Mrs. Kelvin Smith · CC0. Museum object record ↗

Painting study · Ink painting

Stand-in Fugenlate 1700s–early 1800s · Study 1985.277

Kitao Masayoshi (Japanese, 1761–1824)
late 1700s–early 1800s

Recorded as hanging scroll; ink and color on silk, this vertical work measures 56.2 × 114.3 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.

Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.

Context from the museum

Here, a woman dressed as a man replaces Fugen, a bodhisattva—a being among those considered enlightened in Buddhism—who symbolizes learning as a path to awakening and typically rides an elephant. The painting teaches the lesson of impermanence through the petals falling from the lotus flower the woman holds. It also alludes to the legend of Eguchi, a 12th-century courtesan who, following an encounter with a Buddhist monk-poet called Saigyō, revealed herself to be a manifestation of Fugen.

Museum description reproduced from its CC0 open-access record. Read the original catalog entry.

Read the dimensions before the image

The selected painting only measurement for Stand-in Fugen is 56.2 cm wide and 114.3 cm high, equivalent to approximately 22.1 × 45.0 inches. Dividing width by height gives a format ratio of 0.49:1. The rectangular bounding area is 0.64 square meters; it describes the measured footprint, not the amount of paint or the monetary value.

On an illustrative 300 cm wall, the recorded width occupies 18.7% of the span before adding a frame. A centered placement leaves approximately 121.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.

Questions to bring to your own collection

With Stand-in Fugen in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink and color on silk, in your notes when comparing contemporary works.

  • Which part of this vertical composition catches your eye first?
  • Would a 56.2 cm width still suit the space after allowing for furniture and a frame?
  • What surface detail would you need to see in person or in a close photograph?

Explore physical scale

How large would this format feel on your wall?

Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.

Proportional diagram of Stand-in Fugen and the entered wall dimensions
18.7%of wall width, including allowance
56.2 × 114.3 cmmodeled outside dimensions
Within the entered wall dimensions121.9 cm each side when centered

Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.

Compare formats with the studio collection

These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.

Studio paintings compared by format
PaintingWidth × heightFormat ratioUSD catalog price
Cheesecake24 × 48 in0.50:1$1,099
Riptide24 × 48 in0.50:1$1,199
Graffiti30 × 48 in0.63:1$2,199

Availability and delivery costs must be confirmed for the individual order.

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