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Lei-KolFine Art for Crypto
Solitary Colors of the Autumn Woods — Wang Jianzhang (Chinese, active 1621–1662)
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund · CC0. Museum object record ↗

Painting study · Ink painting

Solitary Colors of the Autumn Woodsfirst half 1600s · Study 1972.68

Wang Jianzhang (Chinese, active 1621–1662)
first half 1600s

Recorded as hanging scroll; ink and color on satin, this vertical work measures 51.2 × 117.8 cm using the museum’s image dimensions. Explore the museum’s context and compare the format with a wall of your choice.

Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.

Context from the museum

Two gentlemen stand outside a thatched hut in a dense forest; some trees have bare branches indicating that the season is early autumn. Wang Jianzhang’s inscribed poem refers to a chapter called “Autumn Water” from Zhuangzi , a famous Daoist text written in the 3rd century BC: "Cold frost falls on the fences, / Solitary colors scatter the maples. / Reciting the chapter of “The Autumn Water,” / I cannot still the emotion in my old heart." Wang Jianzhang lived through the collapse of the Ming dynasty (1368–1644) and the rise of the Qing dynasty (1644–1911), when China was governed by the Manchus, an ethnic people from Manchuria who were traditionally viewed as “barbarians” by the Chinese. The poetic reference to Zhuangzi ’s “Autumn Water” seems to discreetly convey Wang’s feelings about his country being taken over. “Autumn Water” was about learning to take steps in the foreign way, but not acquiring a foreign tongue. Perhaps Wang was lamenting his conflicted situation. For survival he had to adapt to the new political and social climate, while still trying to maintain his own identity and Chinese traditions.

Museum description reproduced from its CC0 open-access record. Read the original catalog entry.

Read the dimensions before the image

The selected image measurement for Solitary Colors of the Autumn Woods is 51.2 cm wide and 117.8 cm high, equivalent to approximately 20.2 × 46.4 inches. Dividing width by height gives a format ratio of 0.43:1. The rectangular bounding area is 0.60 square meters; it describes the measured footprint, not the amount of paint or the monetary value.

On an illustrative 300 cm wall, the recorded width occupies 17.1% of the span before adding a frame. A centered placement leaves approximately 124.4 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.

Questions to bring to your own collection

With Solitary Colors of the Autumn Woods in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink and color on satin, in your notes when comparing contemporary works.

  • Which part of this vertical composition catches your eye first?
  • Would a 51.2 cm width still suit the space after allowing for furniture and a frame?
  • What surface detail would you need to see in person or in a close photograph?

Explore physical scale

How large would this format feel on your wall?

Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.

Proportional diagram of Solitary Colors of the Autumn Woods and the entered wall dimensions
17.1%of wall width, including allowance
51.2 × 117.8 cmmodeled outside dimensions
Within the entered wall dimensions124.4 cm each side when centered

Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.

Compare formats with the studio collection

These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.

Studio paintings compared by format
PaintingWidth × heightFormat ratioUSD catalog price
Cheesecake24 × 48 in0.50:1$1,099
Riptide24 × 48 in0.50:1$1,199
Graffiti30 × 48 in0.63:1$2,199

Availability and delivery costs must be confirmed for the individual order.

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