
Painting study · Oil painting
Seventy-Two Peaks Under the Blue Sky with Mount Furong1785 · Study 1980.28
Matsumura Goshun (Japanese, 1752–1811)
1785
Recorded as Eight-panel folding screen; ink with gold and silver foil on paper, this horizontal work measures 275.2 × 51.5 cm using the museum’s image dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
The low height of this folding screen suggests its use as a partition in a small tearoom. An inscription identifies the scene as the 72-peak Heng mountain range in Hunan, China, associated with Buddhist and Daoist traditions and celebrated in poetry. Special mention in the inscription is made of Mount Furong, one of the peaks in the range. Matsumura Goshun may have drawn inspiration from his teacher, Yosa Buson (与謝蕪村) (1716–1783), whose final work depicted the same mountain range.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
By painting on silver and gold foil, Matsumura Goshun created an alluring surface and deep space in this surprisingly spare vista.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected image measurement for Seventy-Two Peaks Under the Blue Sky with Mount Furong is 275.2 cm wide and 51.5 cm high, equivalent to approximately 108.3 × 20.3 inches. Dividing width by height gives a format ratio of 5.34:1. The rectangular bounding area is 1.42 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 91.7% of the span before adding a frame. A centered placement leaves approximately 12.4 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Seventy-Two Peaks Under the Blue Sky with Mount Furong in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Eight-panel folding screen; ink with gold and silver foil on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 275.2 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

late 1700s–early 1800s · Japan, Edo period (1615–1868)
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Matsumura Goshun (Japanese, 1752–1811) · One of a pair of six-panel folding screens; ink and color on paper

late 1700s · Japan, Edo period (1615–1868)
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Matsumura Goshun (Japanese, 1752–1811); Yosa Buson (Japanese, 1716–1783) · hanging scroll; ink and color on paper

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Matsumura Goshun (Japanese, 1752–1811); Amenomori Shōteki (Japanese, 1731–1786) · hanging scroll; ink and color on paper

c. 1780 · Japan, Edo period (1615–1868)
Oath of the Peach Garden, from Romance of the Three Kingdoms
Matsumura Goshun (Japanese, 1752–1811) · hanging scroll; ink and color on silk
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