
Painting study · Ink painting
Seated Amitābhalate 1500s–early 1600s · Study 1994.94
Artist not recorded
late 1500s–early 1600s
Recorded as hanging scroll; ink and color on silk, this vertical work measures 75 × 130.8 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
This magnificent Buddha, called Amitābha (literally, “infinite light”) is seated on a lotus pedestal with both palms facing up over crossed legs, suggesting that it is in deep meditation. In contrast to the richly ornamented throne on which the Buddha is seated, the figure itself is devoid of any jewelry or decorative attributes, emphasizing its enlightened status and detachment from worldly affairs. The lion head in the center of the pedestal is a motif from Central Asia, which can also be seen in the halo or nimbus of Chinese Buddhist stone steles.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Originally, this scroll was acquired by the museum as a Korean work, but has now been tentatively reattributed as Ming period Chinese.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Seated Amitābha is 75 cm wide and 130.8 cm high, equivalent to approximately 29.5 × 51.5 inches. Dividing width by height gives a format ratio of 0.57:1. The rectangular bounding area is 0.98 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 25.0% of the span before adding a frame. A centered placement leaves approximately 112.5 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Seated Amitābha in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink and color on silk, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 75 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1314–17 · Japan, Kamakura period (1185–1333)
Reeds and Geese
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) · hanging scroll; ink on paper

late 1400s · Japan, Muromachi period (1392–1573)
Chinese Literatus in an Autumn Landscape
Josui Sōen (Japanese, active c. 1489–1500) · hanging scroll; ink on paper

1500s · Japan, Muromachi period (1392–1573)
Landscape
Narihide (Japanese, active 1500s) · hanging scroll; ink on paper

1600s · Japan, Edo period (1615–1868)
Gibbons Reaching for the Moon
Kano Tan’yū (Japanese, 1602–1674) · Hanging scroll; ink and light color on silk
Ready to describe what you want in your own space?
Start an artwork inquiry ↗