Painting study · Ink painting
Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto)1764 · Study 2013.347.a
Muhammad Rizavi Hindi (Indian, active mid-1700s)
1764
Recorded as Gum tempera, ink, and gold on paper, this vertical work measures 10.3 × 14.4 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
The artist used the carpet, the floor cushion, and the halo to indicate the royal status of the seated figure. He has turned the picture plane into the space of a window, over the sill of which a golden carpet ornamented with a field of lilies marks his location for outsiders. His signature in Persian, the Mughal lingua franca, interrupts the fringed border. Painted after the emperor’s death and the dissolution of much of the Mughal court, this refined portrait pays tribute to the wealth and power of the imperial past.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
The archer’s thumb ring is for drawing the bowstring. Perhaps he was left-handed.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) is 10.3 cm wide and 14.4 cm high, equivalent to approximately 4.1 × 5.7 inches. Dividing width by height gives a format ratio of 0.72:1. The rectangular bounding area is 0.01 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 3.4% of the span before adding a frame. A centered placement leaves approximately 144.8 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 10.3 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
1764 · Mughal India, probably Uttar Pradesh, Lucknow
Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso)
Muhammad Rizavi Hindi (Indian, active mid-1700s); Mahmud ibn Ishaq al-Shahabi (Persian, active mid- to late 1500s) · Gum tempera, ink, and gold on paper
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Muhammad Rizavi Hindi (Indian, active mid-1700s); Ahmad al-Husaini · Gum tempera and gold on paper
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Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) · hanging scroll; ink on paper
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