
Painting study · Ink painting
Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso)c. 1650 · Study 2013.329
Artist not recorded
c. 1650
Recorded as Gum tempera, ink, and gold on paper, this vertical work measures 8 × 20.4 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Jahangir, the fourth Mughal emperor, was remembered for his greatness long after his death. Ruling from 1605 to 1627, he laid the foundations for long-term trade and diplomatic relations with various nations of Europe, most notably England and Portugal. He oversaw the transition of Mughal India into a global power during a time that can be considered the international Age of Exploration. This posthumous portrait depicts Jahangir amid the trappings of wealth and power with the light of divine sanction shining behind his head. A white marble railing demarcates his imperial space.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Jahangir holds a ruby or spinel, thought to be a talisman for military victory.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso) is 8 cm wide and 20.4 cm high, equivalent to approximately 3.1 × 8.0 inches. Dividing width by height gives a format ratio of 0.39:1. The rectangular bounding area is 0.02 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 2.7% of the span before adding a frame. A centered placement leaves approximately 146.0 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso) in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Gum tempera, ink, and gold on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 8 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1660 · India, Mughal, 17th century
Jewel Portrait of a Young Girl
Artist not recorded · ink drawing with slight accents of color

c. 1670 · India, Mughal, 17th century
The dream of Zulaykha, from the Amber Album
Artist not recorded · Gum tempera, ink, and gold on paper

1314–17 · Japan, Kamakura period (1185–1333)
Reeds and Geese
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) · hanging scroll; ink on paper

late 1400s · Japan, Muromachi period (1392–1573)
Chinese Literatus in an Autumn Landscape
Josui Sōen (Japanese, active c. 1489–1500) · hanging scroll; ink on paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗