
Painting study · Ink painting
Portrait of Maharaja Pratap Singh (1764–1803)c. 1793 · Study 2011.207
Sahib Ram (Indian, active 1745–1803)
c. 1793
Recorded as Colored ink drawing, this vertical work measures 40.5 × 61.4 cm using the museum’s overall dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Maharaja Pratap Singh came to the throne in the princely state of Jaipur in 1778 at the age of 14, about 15 years before this portrait was painted. He was a poet and patron of the arts known for commissioning the famous “Palace of the Winds” in Jaipur. At his court he maintained an atelier of about 50 painters, among whom was a Muslim master, Sah ib Ram, to whom this painting is attributed. Pratap Singh was a devotee of the Hindu god Krishna, and the mark on his forehead testifies to this affiliation. Though highly stylized, this portrait is recognizable as an image of Singh because of his profile and the distinctive curl of hair at the nape of his neck.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected overall measurement for Portrait of Maharaja Pratap Singh (1764–1803) is 40.5 cm wide and 61.4 cm high, equivalent to approximately 15.9 × 24.2 inches. Dividing width by height gives a format ratio of 0.66:1. The rectangular bounding area is 0.25 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 13.5% of the span before adding a frame. A centered placement leaves approximately 129.8 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Portrait of Maharaja Pratap Singh (1764–1803) in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Colored ink drawing, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 40.5 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1750–60 · Northwestern India, Rajasthan, Rajput Kingdom of Jaipur
Shvetambara Jain Teacher Giving Instruction
Sahib Ram (Indian, active 1745–1803) · gum tempera and gold on paper

c. 1820 · Northwestern India, Rajasthan, Jaipur
Jai Singh III of Jaipur (r. 1818–1835) Riding
Artist not recorded · Gum tempera and ink on paper

1314–17 · Japan, Kamakura period (1185–1333)
Reeds and Geese
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) · hanging scroll; ink on paper

late 1400s · Japan, Muromachi period (1392–1573)
Chinese Literatus in an Autumn Landscape
Josui Sōen (Japanese, active c. 1489–1500) · hanging scroll; ink on paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗