
Painting study · Oil painting
Portrait of Isabella Brantc. 1620–25 · Study 1947.207
Peter Paul Rubens (Flemish, 1577–1640)
c. 1620–25
Recorded as oil on wood, this vertical work measures 46 × 53 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Isabella Brant was Rubens’s first wife. He painted her many times in many different ways before she died at the age of 35 (she is a model for a nymph in the other work by Rubens in this room). This intimate portrait, painted at least five years before her death, suggests the close relationship between the painter and sitter through the warm palette, the luscious brushstrokes, and her lively expression.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
First, Rubens painted Isabella’s face, then at a later date he added hands.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected unframed measurement for Portrait of Isabella Brant is 46 cm wide and 53 cm high, equivalent to approximately 18.1 × 20.9 inches. Dividing width by height gives a format ratio of 0.87:1. The rectangular bounding area is 0.24 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 15.3% of the span before adding a frame. A centered placement leaves approximately 127.0 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Portrait of Isabella Brant in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on wood, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 46 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blue Denim | 48 × 48 in | 1.00:1 | $1,699 |
| Mushrooms | 48 × 48 in | 1.00:1 | $2,399 |
| Stardust | 48 × 48 in | 1.00:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1615 · Flanders
Diana and Her Nymphs Departing for the Hunt
Peter Paul Rubens (Flemish, 1577–1640); Workshop · oil on canvas

c. 1639 · Flanders
Study for "The Bear Hunt" (for the Alcázar, Madrid)
Peter Paul Rubens (Flemish, 1577–1640) · oil on wood

c. 1640 · Flanders
Peasants Smoking in an Inn
David Teniers (Flemish, 1610–1690) · oil on wood

1600s · Flanders
Ceres and Bacchus
Bartholomaeus Spranger (Flemish, 1546–1611) · oil on canvas
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