
Painting study · Oil painting
Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782c. 1783 · Study 1949.187.2
Francesco Guardi (Italian, 1712–1793)
c. 1783
Recorded as oil on canvas, this horizontal work measures 68.8 × 51.4 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
The second scene in the series depicts Pius VI celebrating mass in the Basilica of Santi Giovanni e Paolo, one of the largest churches in Venice and the pope’s residence during his stay. The mass included a performance of the Te Deum, a prayer of thanksgiving set to music by the Venetian composer Antonio Vivaldi (1678–1741). Traditionally, the Te Deum was recited in thanks to God for a special blessing, including a papal election or a royal coronation, and thus was appropriate for this historic papal visit.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected unframed measurement for Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 is 68.8 cm wide and 51.4 cm high, equivalent to approximately 27.1 × 20.2 inches. Dividing width by height gives a format ratio of 1.34:1. The rectangular bounding area is 0.35 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 22.9% of the span before adding a frame. A centered placement leaves approximately 115.6 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on canvas, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 68.8 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1783 · Italy, 18th century
Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 and Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 (pair)
Francesco Guardi (Italian, 1712–1793) · oil on canvas

1750s · Italy, 18th century
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)
Francesco Guardi (Italian, 1712–1793) · oil on canvas

1750s · Italy, 18th century
Tobias and the Angel
Francesco Guardi (Italian, 1712–1793) · oil on canvas

1750s · Italy, 18th century
The Angels Appearing to Abraham
Francesco Guardi (Italian, 1712–1793) · oil on canvas
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