Painting study · Ink painting
Paintings after Ancient Masters: Chrysanthemum1598–1652 · Study 1979.27.2.17
Chen Hongshou (Chinese, 1598/99–1652)
1598–1652
Recorded as Album leaf; ink and color on silk, this near-square work measures 22.7 × 23.7 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Poet Tao Yuanming (365–427 CE) turned down a career as an official in politically turbulent times to return to his home estate, northwest of Mount Lu, to write poetry and enjoy his garden and wine. As he grew chrysanthemums, Tao is associated with this flower. The artist Chen Hongshou, active in Zhejiang province, suffered through the violent transition from the Ming to the Qing dynasty around 1644. This painting of chrysanthemums alludes to the poet who lived a millennium earlier during similarly fraught times.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected painting only measurement for Paintings after Ancient Masters: Chrysanthemum is 22.7 cm wide and 23.7 cm high, equivalent to approximately 8.9 × 9.3 inches. Dividing width by height gives a format ratio of 0.96:1. The rectangular bounding area is 0.05 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 7.6% of the span before adding a frame. A centered placement leaves approximately 138.7 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Paintings after Ancient Masters: Chrysanthemum in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Album leaf; ink and color on silk, in your notes when comparing contemporary works.
- Which part of this near-square composition catches your eye first?
- Would a 22.7 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blue Denim | 48 × 48 in | 1.00:1 | $1,699 |
| Mushrooms | 48 × 48 in | 1.00:1 | $2,399 |
| Stardust | 48 × 48 in | 1.00:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
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Paintings after Ancient Masters
Chen Hongshou (Chinese, 1598/99–1652) · Double album with twenty-two leaves; ink or ink and color on silk
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Paintings after Ancient Masters: Portrait of Tao Yuanming
Chen Hongshou (Chinese, 1598/99–1652) · Album leaf; ink and color on silk
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