
Painting study · Oil painting
Mary Walker Waugh1868 · Study 1984.41
William Holman Hunt (British, 1827–1910)
1868
Recorded as oil on fabric, this vertical work measures 66.1 × 86.2 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
William Holman Hunt painted this portrait of Mary Walker Waugh (1805–1886)—his mother-in-law—during a time of personal tragedy. Waugh’s daughter Fanny Waugh Hunt (1832–1866), the wife of the artist, had recently died following childbirth. References to loss of life infiltrate the composition: the sitter wears black mourning attire, and behind her is a screen decorated with red poppies, a traditional symbol of unconsciousness and lifelessness because of its pharmaceutical use as a source for opiates. In Victorian society, the red poppy also signified consolation.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
British novelist Evelyn Waugh (1903–1966) once owned this portrait, which depicts his great aunt.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected unframed measurement for Mary Walker Waugh is 66.1 cm wide and 86.2 cm high, equivalent to approximately 26.0 × 33.9 inches. Dividing width by height gives a format ratio of 0.77:1. The rectangular bounding area is 0.57 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 22.0% of the span before adding a frame. A centered placement leaves approximately 117.0 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Mary Walker Waugh in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on fabric, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 66.1 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
Availability and delivery costs must be confirmed for the individual order.
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