
Painting study · Tempera
Madonna of Humilitylate 1370s · Study 1963.500
Caterino Veneziano (Italian, active 1362–82)
late 1370s
Recorded as tempera and gold on wood panel, this vertical work measures 54.6 × 79.6 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
The Madonna is shown seated on the ground as she nurses the infant Christ in a style of depiction called the "Madonna (or Virgin) of Humility." This type of image shows Mary’s humility, or humilitas in Latin, sitting on the earth just with a cushion in contrast to her usual depiction with a throne. The virtue of humility was propagated especially by St. Francis of Assisi and found its way into painting since the 1350s in the wake of the Black Death.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
This panel used to be part of a larger altarpiece; it was cut down and reframed some time in the 1800s.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected unframed measurement for Madonna of Humility is 54.6 cm wide and 79.6 cm high, equivalent to approximately 21.5 × 31.3 inches. Dividing width by height gives a format ratio of 0.69:1. The rectangular bounding area is 0.43 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 18.2% of the span before adding a frame. A centered placement leaves approximately 122.7 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Madonna of Humility in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, tempera and gold on wood panel, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 54.6 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

c. 1430 · Italy
St. Francis of Assisi Receiving the Stigmata
Bicci di Lorenzo (Italian, 1373–1452) · tempera and gold on wood

1400s · Italy
Virgin and Child
Icilio Federico Joni (Italian, 1866–1946); Sano di Pietro (Italian, 1406–1481) · tempera and gold on wood

1437–1444 · Italy
St. Francis Kneeling before Christ on the Cross
Sassetta (Italian, 1392–1450) · tempera and gold on wood

c. 1230s · Italy
Virgin and Child with Saints
Berlinghiero (Italian, before 1242) · triptych (tabernacle); tempera and gold on poplar panel
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