
Painting study · Oil painting
Madeleine Lerolle and Her Daughter Yvonnec. 1879–80 · Study 1977.120
Albert Besnard (French, 1849–1934)
c. 1879–80
Recorded as oil on fabric, this vertical work measures 115.5 × 165 cm using the museum’s unframed dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Albert Besnard was a good friend of fellow artist Henri Lerolle, whose wife Madeleine and daughter Yvonne are the subjects of this double portrait set in a studio. The artist’s profession is referenced in the large portfolios of drawings at lower right, and the easel at upper left, which displays a canvas tipped forward at an unusual angle. The canvas has been strapped to the easel in this position so the artist can more easily paint while seated.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected unframed measurement for Madeleine Lerolle and Her Daughter Yvonne is 115.5 cm wide and 165 cm high, equivalent to approximately 45.5 × 65.0 inches. Dividing width by height gives a format ratio of 0.70:1. The rectangular bounding area is 1.91 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 38.5% of the span before adding a frame. A centered placement leaves approximately 92.3 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Madeleine Lerolle and Her Daughter Yvonne in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on fabric, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 115.5 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Gray Day | 24 × 36 in | 0.67:1 | $1,199 |
| Waterfalls | 24 × 36 in | 0.67:1 | $999 |
| Blood Moon | 30 × 40 in | 0.75:1 | $1,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies

1899 · France, 19th century
Luncheon (Annette and Her Grandmother)
Édouard Vuillard (French, 1868–1940) · oil on board

1894 · France, 19th century
Drying the Linen, or Moonrise at the Priory
Maurice Denis (French, 1870–1943) · oil on canvas glued to cardboard

c. 1896 · France, 19th century
The Pink Cloud
Henri-Edmond Cross (French, 1856–1910) · oil on canvas

c. 1890 · France, 19th century
Women Meeting in the Shade
Ker Xavier Roussel (French, 1867–1944) · oil on canvas
Ready to describe what you want in your own space?
Start an artwork inquiry ↗