Lion1750s · Study 1980.274

Context from the museum

Looking upward with eyes gleaming and mouth open, the lion conveys wild elegance. The sketch comprises short brushstrokes, and its most striking detail is the thick and plentiful mane. Undefined planes of black make up the lion's longest tresses, but closer to the face, the mane becomes increasingly light. Although the darkest parts of the mane lack precise definition, the chestnut shades of the mane host shadows and highlights that lend a sense of realism. Additionally, varied shades of brown are contrasted by the lighter, creamier shades of white at the lion's muzzle. The lifelike nature of this sketch is further communicated by the bright, wet patches on the lion's nose and mouth. Likewise, a bright glimmer in the lion's right eye illustrates its vitality. At the bottom right of the lion, a small signature attributes the painting to the French animal painter Jean-Baptiste Oudry, although this signature was a later addition. This is actually the work of the Italian painter Giuseppe Baldrighi, court artist to the Dukes of Parma. Sent to Paris in 1752, Baldrighi studied with a number of leading French painters, including Oudry, leading to a number of animal studies in Oudry's style. These works emulate the elder artist's smooth handling and stem directly from Oudry's method of executing head studies of animals in expressive poses. This work has a much blunter facture, a more linear use of paint, and a lack of psychological depth in the animal's expression—all characteristic of Baldrighi.

Museum description reproduced from its CC0 open-access record. Read the original catalog entry.

Read the dimensions before the image

The selected unframed measurement for Lion is 64 cm wide and 79.5 cm high, equivalent to approximately 25.2 × 31.3 inches. Dividing width by height gives a format ratio of 0.81:1. The rectangular bounding area is 0.51 square meters; it describes the measured footprint, not the amount of paint or the monetary value.

On an illustrative 300 cm wall, the recorded width occupies 21.3% of the span before adding a frame. A centered placement leaves approximately 118.0 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.

Questions to bring to your own collection

With Lion in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, oil on canvas, in your notes when comparing contemporary works.

• Which part of this vertical composition catches your eye first?
• Would a 64 cm width still suit the space after allowing for furniture and a frame?
• What surface detail would you need to see in person or in a close photograph?