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Lei-KolFine Art for Crypto
Landscapes in Various Styles after Old Masters — Mei Qing (Chinese, 1623–1697)
The Cleveland Museum of Art · John L. Severance Fund · CC0. Museum object record ↗

Painting study · Ink painting

Landscapes in Various Styles after Old Masters1690 · Study 1962.157.8

Mei Qing (Chinese, 1623–1697)
1690

Recorded as album leaf: ink and color on paper, this horizontal work measures 44 × 28.6 cm using the museum’s overall dimensions. Explore the museum’s context and compare the format with a wall of your choice.

Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.

Context from the museum

This leaf presents a rising promontory in the near distance, whose base is hidden by a dense grove of barren, autumnal trees. A gentle incline emerges from the lower right, with a small path leading to its summit, where a gentleman is sheltered from the wind by two pines. This promontory resembles Guangming Ding 光明頂 (Summit of the Bright and Luminous), the second tallest peak in Huangshan 黃山 (Mt. Huang or Yellow Mountain), the scenic area that inspired much of Mei Qing’s artistic production. Instead of looking down on the “Sea of Clouds,” though, as one who scales Huangshan’s peak would, this gentleman is looking out at two boats on an actual sea.

Museum description reproduced from its CC0 open-access record. Read the original catalog entry.

Read the dimensions before the image

The selected overall measurement for Landscapes in Various Styles after Old Masters is 44 cm wide and 28.6 cm high, equivalent to approximately 17.3 × 11.3 inches. Dividing width by height gives a format ratio of 1.54:1. The rectangular bounding area is 0.13 square meters; it describes the measured footprint, not the amount of paint or the monetary value.

On an illustrative 300 cm wall, the recorded width occupies 14.7% of the span before adding a frame. A centered placement leaves approximately 128.0 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.

Questions to bring to your own collection

With Landscapes in Various Styles after Old Masters in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, album leaf: ink and color on paper, in your notes when comparing contemporary works.

  • Which part of this horizontal composition catches your eye first?
  • Would a 44 cm width still suit the space after allowing for furniture and a frame?
  • What surface detail would you need to see in person or in a close photograph?

Explore physical scale

How large would this format feel on your wall?

Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.

Proportional diagram of Landscapes in Various Styles after Old Masters and the entered wall dimensions
14.7%of wall width, including allowance
44.0 × 28.6 cmmodeled outside dimensions
Within the entered wall dimensions128.0 cm each side when centered

Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.

Compare formats with the studio collection

These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.

Studio paintings compared by format
PaintingWidth × heightFormat ratioUSD catalog price
Bipolar60 × 48 in1.25:1$3,499
Brick and Mortar60 × 48 in1.25:1$3,499
Dominion60 × 48 in1.25:1$3,499

Availability and delivery costs must be confirmed for the individual order.

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