Painting study · Ink painting
Eight Views of the Xiao and Xiang Rivers1700s · Study 1968.267
Watanabe Shikō (Japanese, 1683–1755)
1700s
Recorded as Six-panel folding screen, ink on paper, this horizontal work measures 356 × 150 cm using the museum’s image dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Watanabe Shiko, an Edo period painter who combined Kano school style with Rimpa style, re-created the Xiao and the Xiang rivers on a pair of eight-panel screens. For this composition, he followed the Kano school’s sense of space, adapted from miniature copying paintings ( shukuzu ) by the Japanese artist Kano Tanyu. Watanabe revised the typical representations of the Xiao and the Xiang rivers by rendering the theme Wild Geese Descending to Sandbar on the right screen and Evening Bell from Mist-Shrouded Temple on the left screen. He depicted simple motifs—moon, boat, geese, and temple—to suggest the other scenes while also creating airy space.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
This screen forms a pair with CMA 1960.284 .
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected image measurement for Eight Views of the Xiao and Xiang Rivers is 356 cm wide and 150 cm high, equivalent to approximately 140.2 × 59.1 inches. Dividing width by height gives a format ratio of 2.37:1. The rectangular bounding area is 5.34 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 118.7% of the span before adding a frame. That exceeds the example wall width, so a smaller reference wall would not reproduce the recorded scale. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Eight Views of the Xiao and Xiang Rivers in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, Six-panel folding screen, ink on paper, in your notes when comparing contemporary works.
- Which part of this horizontal composition catches your eye first?
- Would a 356 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Bipolar | 60 × 48 in | 1.25:1 | $3,499 |
| Brick and Mortar | 60 × 48 in | 1.25:1 | $3,499 |
| Dominion | 60 × 48 in | 1.25:1 | $3,499 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
1700s · Japan, Edo period (1615–1868)
Irises
Watanabe Shikō (Japanese, 1683–1755) · One of a pair of six-panel folding screens, ink and color on gilded paper
1700s · Japan, Edo period (1615–1868)
Eight Views of the Xiao and Xiang Rivers
Watanabe Shikō (Japanese, 1683–1755) · Six-panel folding screen; ink on paper
1600s · Japan, Edo period (1615–1868)
Gibbons Reaching for the Moon
Kano Tan’yū (Japanese, 1602–1674) · Hanging scroll; ink and light color on silk
1600s · Japan, Edo period (1615–1868)
Summer and Winter Landscapes (one of a pair)
Kano Naonobu (Japanese, 1607–1650) · six-panel folding screen; ink on gold- and silver-decorated paper
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