Painting study · Ink painting
Demon Intoning the Name of the Buddha1700s · Study 1982.26
Artist not recorded
1700s
Recorded as hanging scroll, ink and color on paper, this vertical work measures 22.1 × 59.2 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Images like this one that depicts a demon in the guise of an itinerant monk intoning the name of the Buddha are called Otsu-e, or "Otsu paintings." Otsu-e were made as souvenirs for travelers passing through the station of Otsu along the Tokaido, the route stretching from Edo (modern-day Tokyo) to Kyoto. Realized through a combination of woodblock printing, rapid brushstrokes, embellishment with color and gold pigments by stencil or by hand, the earliest Otsu-e, produced in the 17th century, were Buddhist and Shinto icons. Later images included figures popular from Kabuki plays, as well as scenes illustrating parables.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
Read the dimensions before the image
The selected painting only measurement for Demon Intoning the Name of the Buddha is 22.1 cm wide and 59.2 cm high, equivalent to approximately 8.7 × 23.3 inches. Dividing width by height gives a format ratio of 0.37:1. The rectangular bounding area is 0.13 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 7.4% of the span before adding a frame. A centered placement leaves approximately 138.9 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Demon Intoning the Name of the Buddha in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll, ink and color on paper, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 22.1 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
Related studies
1600s · Japan, Edo period (1615–1868)
Gibbons Reaching for the Moon
Kano Tan’yū (Japanese, 1602–1674) · Hanging scroll; ink and light color on silk
1600s · Japan, Edo period (1615–1868)
Summer and Winter Landscapes (one of a pair)
Kano Naonobu (Japanese, 1607–1650) · six-panel folding screen; ink on gold- and silver-decorated paper
early 1700s · Japan, Edo period (1615–1868)
Courtesan
Kaigetsudō Doshin (Japanese, active 1711–1736) · hanging scroll; ink and color on paper
late 1700s · Japan, Edo period (1615–1868)
Scenes from the Tale of Genji
Artist not recorded · Pair of six-panel folding screens; ink, color, and gold on gilded paper
Ready to describe what you want in your own space?
Start an artwork inquiry ↗