Painting study · Ink painting
Autumn in Takaolate 1600s · Study 1991.55
Kiyohara Yukinobu (Japanese, 1643–1682)
late 1600s
Recorded as hanging scroll; ink and color on silk, this vertical work measures 32.7 × 89.7 cm using the museum’s painting only dimensions. Explore the museum’s context and compare the format with a wall of your choice.
Museum collection reference. This work is not offered for sale by Physical Art For Crypto. Museum attribution does not imply a partnership or endorsement.
Context from the museum
Kiyohara Yukinobu, a native of Kyoto, studied with Kano Tan'yū (1602–1674), the artist-in-residence to the shogun (military ruler) whose official residence was in Edo (Tokyo). Tan'yū traveled extensively because he bore responsibility for the decorative schema and large mural painting programs of the shogunal castles and residences in Nagoya and Kyoto. These were very large projects, requiring the services of legions of craftsmen, including Tan'yū's painting studio. Following her apprenticeship with Tan'yū, Kiyohara established her own career, which featured classical literary themes of the Heian era (10th–12th centuries). This image is set in autumn, and the poem card attached to the maple tree likely signifies the passage of a love affair. Takao is a popular scenic area in the mountains north of Kyoto, where autumn and spring foliage attracts many visitors.
Museum description reproduced from its CC0 open-access record. Read the original catalog entry.
A detail to notice
Kiyohara Yukinobu was one of Japan's earliest and most talented female painters.
Observation supplied by the Cleveland Museum of Art.
Read the dimensions before the image
The selected painting only measurement for Autumn in Takao is 32.7 cm wide and 89.7 cm high, equivalent to approximately 12.9 × 35.3 inches. Dividing width by height gives a format ratio of 0.36:1. The rectangular bounding area is 0.29 square meters; it describes the measured footprint, not the amount of paint or the monetary value.
On an illustrative 300 cm wall, the recorded width occupies 10.9% of the span before adding a frame. A centered placement leaves approximately 133.7 cm on each side before adding a frame. These are calculations by Physical Art For Crypto using museum measurements. They are not the museum’s display recommendations.
Questions to bring to your own collection
With Autumn in Takao in view, identify one feature you can point to, then distinguish what the museum records from your personal response. Keep its medium, hanging scroll; ink and color on silk, in your notes when comparing contemporary works.
- Which part of this vertical composition catches your eye first?
- Would a 32.7 cm width still suit the space after allowing for furniture and a frame?
- What surface detail would you need to see in person or in a close photograph?
Explore physical scale
How large would this format feel on your wall?
Use this museum work’s recorded format as a reference. Adjust a blank wall and optional frame allowance to compare proportions. The museum painting is an educational reference and is not for sale here.
Calculation: outside width = recorded width + twice your frame allowance. This is a proportion study, not an installation assessment. It excludes furniture, hardware, load capacity, depth and delivery clearance. The display image may include margins absent from the recorded measurement.
Compare formats with the studio collection
These Lei-Kol works have the closest width-to-height ratios in the current catalog. This is a geometry comparison, not a claim of artistic similarity, equivalent value, or association with the museum artist.
| Painting | Width × height | Format ratio | USD catalog price |
|---|---|---|---|
| Cheesecake | 24 × 48 in | 0.50:1 | $1,099 |
| Riptide | 24 × 48 in | 0.50:1 | $1,199 |
| Graffiti | 30 × 48 in | 0.63:1 | $2,199 |
Availability and delivery costs must be confirmed for the individual order.
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